Rearing Horse, 'Max'  - 2010 - Welded steel, galvanised - PRIVATE COMMISSION'Decorative Tree Guard' (185cm high) for Acer tree (planted to celebrate 5 year anniversary of the Lights Theatre in Hampshire) - 2011 - Stainless steel - COMMISSIONED BY TEST VALLEY BOROUGH COUNCIL'Mare & Foal II' - Stainless steel (Life-size 15.2hh mare and her foal) - 2011 - Private Commission'Rearing-Horse-and-Child'.jpg'Galloping Thoroughbred' Outside the Mall Galleries, The Mall, London - Oct 2010 - Exhibited at The Emile Faurie Charity Exhibition, 'I Found Horses''Galloping Thoroughbred' Outside the Mall Galleries, The Mall, London - Oct 2010 - Exhibited at The Emile Faurie Charity Exhibition, 'I Found Horses''Eagle Catching Fish'- 2010 - Exhibited at The Henley Festival'Howling Wolf'- 2010 - Exhibited at The Henley Festival'Galloping Thoroughbred'- 2010 - Exhibited at The Henley Festival'Male Sanglier' - 2010 - Private Commission'Female Sanglier' facing left - 2010 - Private Commission'Female Sanglier' facing right - 2010 - Private Commission'Sanglier Together' - 2010 - Private Commission'Owl and Driftwood' - Galvanised welded steel and treated driftwood - PRIVATE COMMISSION.''Owl & Driftwood' at the entrance to the Windsor Contemporary Art Fair 2009''Roe Doe and Fawn' - Galvanised welded steel - PRIVATE COMMISSION'Royal Stag' (life-size Red Deer Stag) - 2008 -  Galvanised welded-steel and automotive paint - PRIVATE COMMISSION - Photograph taken by photographer, Kenton Brock'Eagle' Welded steel. 200cm x 100cm x 170cm. On exhibition at the Sir Harold Hillier Gardens, Romsey
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'Eagle' Welded steel. 200cm x 100cm x 170cm. On exhibition at the Sir Harold Hillier Gardens, Romsey

“I initially discovered welding when completing my foundation course in Fine Art back in 1994. I love the challenge and physicality of creating large scale pieces, and working with steel rod has become a technique and medium I have honed over the last decade or so. I believe it is a three-dimensional extension of drawing, and is a fantastic way to interpret the fluidity and energy of the animal and human forms I am representing. I look at the skeletal and muscular anatomy and then intuitively let the lines of steel flow, echoing each other in a fluid, dynamic way. No two of my pieces are ever the same. I like each sculpture to have its own identity. The finish of each work is very important to me as well now. I painstakingly angle grind each welded area smooth so that the lines truly flow together. I now get each of my sculptures professionally powder coated which gives a truly resilient finish against the elements. As well as producing my own works for exhibitions, I am happy to take commissions and can create a portrait in steel of particular animals or people if you wish.”


All images and content © Amy Goodman 2007

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